Black in Fashion Council Showcases 10 Emerging Designers’ Collections

Rosemary Feitelberg

February 10, 2025 at 4:32 p.m.·6 min read

The Black in Fashion Council returned to New York Fashion Week with the 10th season of its Discovery Showroom and played up the talents of 10 emerging talents.

More than 50 emerging designers have cycled through the program, which debuted in 2021 thanks to a partnership with IMG. Some like Diotima’s Rachel Scott, Theophilio’s Edvin Thompson, House of Aama’s Rebecca Henry and Akua Shabaka, Harbison’s Charles Harbiso and Tia Adeola, have established themselves in the industry and beyond.

More from WWD

The Black in Fashion Council is a collective of media types, models, stylists, freelancers and other industry contributors that strive to create a new foundation for inclusivity within the fashion industry. The organization was started by Lindsay Peoples, The Cut’s editor in chief and the consultant Sandrine Charles. This season’s Discovery Showroom was being held at 161 Water Street from Friday through Monday.

This season’s roster for the Discovery Showroom includes Victim 15, Muehleder, Nia Thomas, Durrell Dupard and Heart Roberts — five brands that will be showing their looks on the runway at the House of Arches runway show at the Chelsea Factory. All five companies are participants in McDonald’s Change of Fashion program, an initiative that aims to improve Black representation in fashion.

Other Discovery Showroom participants this season included Fumi the Label, Busayo, Daveed Baptiste, Lisou and A.Potts. Less than a year into his business, Baptiste is a designer in residence at Material for the Arts. The Brooklyn-based creative produces his collection in Manhattan, and recently teamed up with Blueprint Production NYC, a Black-owned manufacturing company that does small-batch productions. “I’m from Haiti. Something that’s been exciting for us and is part of our storytelling is that a lot of our creatives are other Caribbean or Black creatives,” he said.

Baptiste sells his “sculptural denim garments,” which retail from $500 to $1,200, directly to consumers. As a student at Design and Architecture Senior High School in Miami, he studied under Rosemary Pringle, who has taught several individuals, who have gone on to work at Telfar. Recalling how as a teenager Donna Karan’s Urban Zen made him aware of how many “amazing artisans” Haiti has, Baptiste said, “In the future, I would love to go back to my country and produce in Haiti. That’s my big dream.”

The Toronto-based Fumi the Label sells its collection directly to consumer too. Average retail prices range from $215 to $495 for the line, which includes vibrant jackets with circular-type sleeves, miniskirts and a shaggy wool coat. The Canadian company’s operations manager Evytte Egbon said that President Donald Trump’s global tariffs are a concern, since “customers are not happy about paying duties.” She said, “We can only hope that these governments are going to work with each other to do what’s best for everybody, because we are your neighbor next door.”

Egbon, whose sister Fumi started the label, spoke of how tariffs hurt small businesses, because the higher prices drive away some shoppers. “But we have a really good community that shops with us and they’re still shopping with us. We just want to continue to make clothes that women love and that make them stand out,” she said.

Having been in business for six years, Nia Thomas noted that her signature eponymous label now features items made of leather like crocheted handbags, and others made of raffia in interesting ways. “Everything is hand knitted and hand crocheted. Some of our pieces take days to make,” she said.

Thomas divides her time between New York City and Mexico City, where there is a team of artisans that produce items. She also has some production in Peru to accommodate larger accounts like Moda Operandi and Shopbop. Thomas, who personally knows all of the women and their families who make her creations, said that being tapped to close the House of Arches runway show Tuesday night is “a celebration of all of our hard work coming together.”

She described her mentor Shawn Howell, a former Saks Fifth Avenue executive, as being “an absolute wizard” in helping with financial questions, and praised another McDonald’s Change of Fashion mentor — Justina McKee, the founder of Matte Collection’s Justina McKee for her guidance about logistics, shipping and direct-to-consumer. Thomas said she and the other four designers received $20,000 in funding to produce their collections for Tuesday’s House of Arches show.

“Absolutely” scared about the potential for tariffs on Mexico, Thomas said, “It’s really the customers who are getting screwed over the most because they have to pay for the tariffs.”

At this time, the self-funded entrepreneur does not plan to relocate her production from Mexico. She only recently hired her first employee — a part-time assistant. “It’s a lot to pay someone a full-time salary in New York City with health insurance and all the benefits that come along with it. I’m just trying to keep up and scale in a way that my soul can handle, and that the business can handle financially,” Thomas said.

Having started his namesake line four years ago with upcycled denim, Roberts’ first fall line is named “Apocalypse,” inspired by the word’s Greek meaning of “a great unveiling,” he said. Each piece is handmade and sewn on a Singer sewing machine by Roberts in his Brooklyn apartment. Looking ahead, his plan is to increase his offerings in order to get some placement in boutiques and smaller showrooms.

Heart Roberts jeans remain his most popular item with each pair taking nine hours to make. The fact that celebrities like Saweetie and Lizzo have been photographed wearing Heart Roberts jeans has helped put him on the radar, he said. Roberts, a former freelance model, taught himself design during the pandemic. He recently got a business partner, which is helpful, since time management is the biggest challenge, he said.

Another New York-based designer Larissa Muehleder of Muehleder said she is “really proud” to produce her designs in the Garment Dxistrict, especially since its manufacturing footprint has decreased in recent years. Her focus is on DTC, since selling wholesale requires being at the disposal of retailers’ margins, chargebacks and payment schedules among other things. A tie-neck bubble dress with only one long-sleeve, a halter neck low-back dress made of the Nigerian fabric aso-ebi and a zip-front menswear-inspired jacket with a button-down shirt and men’s style necktie are among the new Muehleder styles. “I don’t want fashion to tell you what to do. I want you to wear it and make it your own,” Muehleder said. “It’s just playful. If you spend enough money on things, you want to be able to make it your own.”

Instead of “chasing the dream as many designers do,” whether that be paying for public relations, celebrity endorsements or advertising with the hopes of newfound fame, she is focused on consumer and building relationships with influencers. “It’s about growing your community and telling your story effectively through branding,” Muehleder said.

Best of WWD

200+ Yahoo readers bought this $21 charger last month — it 'solves so many problems'