We're Getting To The Bottom Of This "No White After Labor Day" Rule

The 19th century introduced a social norm that has become a debatable topic for a century and a half: no white after Labor Day.

"A painting of a young woman in a long, white dress, standing with one hand holding a flower. The painting is titled 'Symphony in White No. 1' by James Abbott McNeill Whistler."

Most people don't understand where this trend came from, but it's been passed on for generations and in many circles, considered a fashion faux pas (though, who actually follows it?).

As we approach the long weekend, I did some digging to understand the origins of the "no white after Labor Day" rule.

White was once a symbol of wealth and leisure.

Three women in period dress sit at a table set for tea in a vibrant garden with a cottage in the background

According to Marie Claire, there's a theory that the Labor Day rule came in the late 19th century as socialites who came from generational wealth took issue with the "nouveau riche," i.e. those who only recently came into money.

There was a practical reasoning for this, though. Since garments like tank tops and shorts weren't considered sanctimonious, lighter clothes in white were easily breathable during the summer months.

A woman stands on a tennis court in Victorian-style attire, including a hat and a long white dress, holding a tennis racket

And since the long weekend in September marks the end of summer, the "no white after Labor Day" rule was born.

As fall approached, white clothes went out of style in exchange for darker colors.

White clothes, in general, were more susceptible to showing dirt and stains in cities at a time when the roads were covered in dirt. So, wearing white also became a means for the upper class to distinguish themselves from the working class – those who worked in labor, specifically – and suggested that they had workers who would handle tasks that may get their outfits dirty.

A vintage photo of a protest march with men, women, and children carrying American flags and signs, including "Wives and Children of the Strikers" and "Give Us a Living Wage Not Charity."

Darker clothes became more practical from September onwards. As the working class began to wear white during the summer months, the inclusion of darker clothes was also a silent attempt by the upper class to distinguish themselves.

Bettmann / Bettmann Archive

Basically, if you were rich enough to leave the city in the summer, you wore white leisurely attire as a means to stay cool. Meanwhile, those who remained in the city throughout the summers wore darker clothes that could disguise the dirt.

Two women, dressed in elegant 19th-century attire, are seated and engaged in conversation in a richly decorated sitting room with framed art on the walls
Universal History Archive / Universal History Archive/Universal Images Group via Getty Images

However, fashion was and still is an anchor for social status.

Person posing on the red carpet in a white, cut-out dress at the Breakthrough Prize event. Background shows text "Breakthrough Prize" and "Scientists Changing the World"

The "no white after Labor Day" rule thus enforced a social hierarchy. Those in the know were subtly able to assert their wealth and status.

Taylor Hill / Getty Images

As a result, fashion pillars such as Vogue proliferated the rule through imagery in print, and their layout included illustrations of women wearing light-colored or white clothes during this season. "White, while perfect for the country, it is, because it soils so easily, impossible for town wear,” reads an article from Vogue in 1925. Not to mention, fashion houses also introduced seasonal collections that reflected this trend.

A vintage Vogue magazine cover from August 1893 showing an illustration of a woman in a garden scene, captioned "A Summer Butterfly."

Like all fashion trends, it began to fade away.

Three women in elegant white gowns, one standing behind a red couch while the other two are seated, looking at each other. Names are not identifiable

At the same time, Vogue also introduced "winter whites" on their models throughout the seasons. Interestingly enough, it was also around this time when sanitation workers wore all-white uniforms similar to those who worked in the medical field.

A person in work attire is emptying a street bin into a wheeled cart in an early 20th-century urban setting, with horse-drawn carriages in the background
Fpg / Getty Images

The rule began to fade as time passed, and by the 1960s and 1970s, fashion became much bolder, ignoring old traditions and embracing a new age.

Cardi B wears a white gown with a hood and high slit while holding an award at the American Music Awards on the red carpet
Amy Sussman / Getty Images

However, even after the fashion world shook off the "no white after Labor Day" rule, it remained a part of pop culture. The rule eventually transformed into "no white shoes after Labor Day."

And who could forget this hilarious clip in 2005's Dukes Of Hazard when Boss Hogg was confronted by a man in jail about his all-white attire.

But these days, it's hard to find anyone who actually follows this rule anymore. In fact, it feels like there are hardly any rules in fashion as a whole.

Jared Leto dressed in a white fluffy outfit holding a large cat head on the red carpet at an event, surrounded by photographers and attendees
Dimitrios Kambouris / Getty Images for The Met Museum/Vogue

So if Jared Leto can get away with dressing up as a cat at the Met Gala, you'll be fine to wear white post-Labor Day.